Renovation of the old home on the hill caught lightning in a bottle for another show of many to document the same – if one with compelling personalities. The back story of the home; its lurid past, brought eyes to episodes right from the start, but it was the explosive teaser of the fifth that broadened conversation and held in memory.
The groundwork had been laid: Seedy bar, seeping wall – all the remnants that remained from invasive searches, decades prior – everything was removed, cleaned out, and reframed in preparation for the scene to follow. A basement deconstruction to remove the dark and dirty, to scrub reminders of the history, that had consequently left the home unused for nearly twenty years.
With the basement scrubbed, the teaser for the finale of the premier season was set in place: Six characters that viewers had come to know, ready to air the seedy to open air. Sledgehammers in hand, explosives strategically placed, then, the call for action: Hammers swung, impact was made, and cameras caught a spray of shattered block that exploded from the home into the excavated space that would become a sunken patio. What had been dark and dated – came to be seen, a bit sleezy – would be brightened by a wall of window, with indoor and outdoor spaces that flowed seamlessly.
But that scene: The explosion. It was clearly rigged – so memorable.
The effort to recreate something similar with drywall at another – that didn’t go so well.
Nick explained, “I saw it in my head. Just like our place. It seemed like it’d work out great.” It worked a mess.
Rather than the release that came with destroying the remains of an unsavory enterprise, instead of the great effect created with the hammer strikes, then, cutaway outside to the explosive result – of that. Instead, the plan to pull the drywall down with many of the same cast, as well as new homeowners, that resulted in an anticlimactic, unsatisfying and incomplete extraction, littering the floor with broken pieces, and fouling the air with blinding dust. Rather than a spectacle, it was water on the embers. The scene was cut before the actors were even visible again.
The mess was cut to clarity, as the same took in the aftermath, as the contractor wondered how he ever thought exploding drywall would make for compelling television.
“Of course,” he said, undoubtedly, “Of course your gonna get dust everywhere. But in my head, I saw all of it comin’ down at once, and all those bare walls in a second. It would have been amazing if we could’ve pulled it off. But, of course we couldn’t – ya can’t. I know that. I just had it in my head.”
The doctor approached him from behind and wrapped his arms around the man; leaned his head against his shoulder. His voice was soft – soothing like it always was – he said, “I saw it, too. And if nothing else, it’s pulling a lot of views. Disasters are equally compelling.”
“I know. I just hate it went the way it went.”
Hands moved from chest up to the shoulders, to momentarily, physically massage away the disenchantment, then disengaged with the assessment, “You’ve boosted ratings and got a ton of online content. We should be so lucky to fail with so much success.”
“Oh yeah: Everyone likes a train wreck.”
“Let’s hit the Loop and grab a beer. You can wallow in your successful misery.”
“I’m just sayin’, ya know? And beer, John?”
The doctor explained, “The fruity ones. Their grapefruit hazy – I could sip those all day long.” He was joined, with an arm around his shoulder, and approval given, “We’ll get ya there. You’re on the right track – we’ll get ya there.”